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Introducing The BoF 500 Class of 2026

Our newest BoF 500 members reflect the shifting shape of the global fashion industry, writes Imran Amed.


Rick Owens: ‘I Want to Be the Kenneth Anger of Fashion’

The pentagrams in his spectacular new collection not only celebrate otherness, they’re also his 'fuck you' to judgy conservatives, writes Tim Blanks.


Paris Day Three: The Clothes Did the Talking

At Tom Ford, The Row, Dries Van Noten and more, the clothes spoke volumes without the need for high concept, reports Angelo Flaccavento.


Paris Day Two: Turn and Face the Strange Changes

At Saint Laurent, Dior and Maison Margiela, three very different designers come up with three very different coping strategies.


Miuccia Prada, Marc Jacobs, Sarah Burton and Satoshi Kondo Are 2026’s BoF 500 Cover Stars

At a pivotal moment for fashion and creativity, this year’s BoF 500 cover stars are facing pivotal moments of their own.


Paris Day One: Growing Pains

Hodakova and Matières Fécales, two closely watched upstarts still coming of age, kicked off Paris Fashion Week, reports Angelo Flaccavento.


Milan Day Six: Silvana Armani’s Evolution

At Giorgio Armani, designer Silvana is bringing her less idealised, more graphic touch to the brand without changing its essence, Angelo Flaccavento writes.


Paris Fashion Week: A Debut and a Finale or Two?

Drew Henry’s first show for Courrèges will be closely watched, as will Saint Laurent and Balenciaga for any signs that creative change is on the way. Plus, Celine and Margiela.


Milan Day Five: The Shape of Identity

Louise Trotter’s Bottega Veneta was lighter and more clearly expressed the designer’s signature. Also: Angelo Flaccavento reports on Ferragamo, Dolce & Gabbana and Act No. 1.


Has Demna Solved Gucci’s Identity Crisis?

For the last twelve months, the designer has played therapist to the brand’s ‘multiple personality disorder.’ This latest session for Spring/Summer 2027 was a breakthrough.


Milan Day Four: Fashion for the People

Gucci, Moschino, Tod’s, Institution and The Attico each offered their vision of fashion for the people as commercial pressures put the customer squarely in focus, Angelo Flaccavento writes.


Milan Day Three: Reality Bites Back

Marni toughened up, Max Mara leaned into pragmatism and Cavalli mined its past glory on a day when clothes, not spectacle, reclaimed the fashion week conversation, Angelo Flaccavento writes.