Matthieu Blazy
Artistic Director, Chanel
The former Raf Simons and Phoebe Philo deputy has been tapped to lead Chanel into the future.

Matthieu Blazy became the Artistic Director of Chanel in late 2024, and officially began the role in April 2025. He is the first external designer to lead the house since Karl Lagerfeld. He previously served as creative director of Bottega Veneta (2021–2024), where the former Raf Simons deputy was tasked with leading the Kering-owned label into a new phase of growth following Daniel Lee’s departure. Under his leadership, Bottega Veneta reported a 6 percent jump in comparable revenue in 2024, significantly outperforming the wider luxury market.
Blazy was born in Paris and graduated from La Cambre in Brussels. After internships at Nicolas Ghesquière’s Balenciaga and John Galliano, he began his fashion career as a menswear designer for Raf Simons, before joining Maison Martin Margiela to design the house’s artisanal line and women’s ready-to-wear. Kanye West famously wore crystal-encrusted masks from Maison Martin Margiela during Blazy’s tenure leading the brand’s anonymous design collective for his 2013–2014 ”Yeezus” tour.
In 2014, Blazy moved to Celine, where he was a senior designer under Phoebe Philo, before joining forces with Raf Simons again at Calvin Klein from 2016 to 2019.
He was appointed ready-to-wear design director at Bottega Veneta in 2020 under Daniel Lee, before becoming creative director in 2021. Blazy’s tenure was defined by a focus on quiet luxury and technical innovation, producing defining leather goods such as the Sardine, Andiamo and Kalimero bags. In September 2023, he inaugurated the house’s flagship store on Avenue Montaigne, Paris, and oversaw the launch of its first fragrance collection in October 2024. Following his departure to Chanel, he was succeeded at Bottega Veneta by Louise Trotter.
On 12 December 2024, Blazy was named Artistic Director of Fashion Collections at Chanel, succeeding Virginie Viard. His arrival opened a new era for the French couture and beauty giant, where he oversees haute couture, ready-to-wear and accessories. Blazy presented his inaugural ready-to-wear collection in October 2025, followed by a critically acclaimed Haute Couture debut on 27 January 2026 at the Grand Palais. His work has been widely lauded for its quietly radical return to the house’s core philosophies, and he was honoured with a Wallpaper* Design Award in January 2025.
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Matthieu Blazy Puts Enchantment to Work at Chanel
The designer asked himself, ‘How can we juxtapose fairy tales and the adventure of the everyday?’ — and then gave us a dazzling answer.

Matthieu Blazy Puts Enchantment to Work at Chanel
The designer asked himself, ‘How can we juxtapose fairy tales and the adventure of the everyday?’ — and then gave us a dazzling answer.

Haute Couture and High Jewellery Take the Paris Stage
Couture debuts from Pierpaolo Piccioli for Balenciaga and Duran Lantink at Jean Paul Gaultier along with sophomore outings by Jonathan Anderson at Dior and Matthieu Blazy at Chanel will show how Europe’s top fashion houses are angling to refresh their image and entice top clients. Also, high jewellery houses pull out their best and biggest designs.

Haute Couture and High Jewellery Take the Paris Stage
Couture debuts from Pierpaolo Piccioli for Balenciaga and Duran Lantink at Jean Paul Gaultier along with sophomore outings by Jonathan Anderson at Dior and Matthieu Blazy at Chanel will show how Europe’s top fashion houses are angling to refresh their image and entice top clients. Also, high jewellery houses pull out their best and biggest designs.

Inside Chanel’s Charvet Deal
In this week’s High Margin luxury newsletter: more from Robert’s interview with Charvet’s Anne-Marie and Jean-Claude Colban on the eve of their sale to Chanel. Also: fashion’s renewed focus on personal style, from Charvet to Chanel to Celine.

Inside Chanel’s Charvet Deal
In this week’s High Margin luxury newsletter: more from Robert’s interview with Charvet’s Anne-Marie and Jean-Claude Colban on the eve of their sale to Chanel. Also: fashion’s renewed focus on personal style, from Charvet to Chanel to Celine.

Why Chanel Is Acquiring Charvet
Following a runway collaboration with Matthieu Blazy, Chanel has bought France’s oldest shirtmaker as longtime owner-operators Anne-Marie and Jean-Claude Colban seek a succession plan. ‘Charvet is a beautiful jewel. Now there’s work to be done to set it up for its next steps,’ said Chanel fashion president Bruno Pavlovsky.

Why Chanel Is Acquiring Charvet
Following a runway collaboration with Matthieu Blazy, Chanel has bought France’s oldest shirtmaker as longtime owner-operators Anne-Marie and Jean-Claude Colban seek a succession plan. ‘Charvet is a beautiful jewel. Now there’s work to be done to set it up for its next steps,’ said Chanel fashion president Bruno Pavlovsky.

Chanel Returns to Growth as Blazymania Kicks In
The French giant, which returned to high single-digit growth at the end of 2025 on the wings of designer Matthieu Blazy’s brand revamp, plans to maintain elevated investment levels while limiting price increases this year, CEO Leena Nair and CFO Philippe Blondiaux said.

Chanel Returns to Growth as Blazymania Kicks In
The French giant, which returned to high single-digit growth at the end of 2025 on the wings of designer Matthieu Blazy’s brand revamp, plans to maintain elevated investment levels while limiting price increases this year, CEO Leena Nair and CFO Philippe Blondiaux said.

The Top 10 Shows of the Season
BoF’s editors pick the best shows from the Autumn/Winter 2026 fashion season.

The Top 10 Shows of the Season
BoF’s editors pick the best shows from the Autumn/Winter 2026 fashion season.

The Caterpillar and the Butterfly: Mythmaking at Chanel
Matthieu Blazy’s never-ending research into Gabrielle Chanel’s words and deeds powered another spectacular, varied collection of looks that both ‘crawl’ and ‘fly.’

The Caterpillar and the Butterfly: Mythmaking at Chanel
Matthieu Blazy’s never-ending research into Gabrielle Chanel’s words and deeds powered another spectacular, varied collection of looks that both ‘crawl’ and ‘fly.’

Paris Day Eight: Function and Fiction
The tension between function and fiction ran through collections from Gabriela Hearst, Chanel and more on the eighth day of Paris Fashion Week, reports Angelo Flacaavento.

Paris Day Eight: Function and Fiction
The tension between function and fiction ran through collections from Gabriela Hearst, Chanel and more on the eighth day of Paris Fashion Week, reports Angelo Flacaavento.

The Debrief | How Dior and Chanel Are Winning Back Aspirational Shoppers
Retail correspondent Joan Kennedy explains how Dior and Chanel are expanding lower-priced handbags and accessories to win back aspirational shoppers after years of steep price hikes.

The Debrief | How Dior and Chanel Are Winning Back Aspirational Shoppers
Retail correspondent Joan Kennedy explains how Dior and Chanel are expanding lower-priced handbags and accessories to win back aspirational shoppers after years of steep price hikes.

How Dior and Chanel Are Tackling Fashion’s Pricing Problem
France’s biggest couture giants are bulking up their assortments of handbags and small accessories at the lower end of their offer as they seek to reengage customers after years of some of the industry’s punchiest price hikes.

How Dior and Chanel Are Tackling Fashion’s Pricing Problem
France’s biggest couture giants are bulking up their assortments of handbags and small accessories at the lower end of their offer as they seek to reengage customers after years of some of the industry’s punchiest price hikes.
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