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The Debrief | Luxury’s New Reality

As luxury shoppers push back against relentless price hikes and uninspiring boutique environments, BoF’s Mimosa Spencer and Robert Williams break down why emotional connection has overtaken heritage as the primary driver of high-end shopping.
Luxury shoppers in a street.
Luxury shoppers are seeking personal connection more than status. (Getty Images)
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Background:

Luxury’s post-pandemic boom is over. Growth has slowed, shoppers are pushing back on years of price increases and many brands are struggling to convince customers they’re still worth the premium. Drawing on BoF’s 2026 State of Luxury report — which includes a survey of more than 2,000 affluent consumers in the US and China, alongside interviews with industry leaders — BoF editors Mimosa Spencer and Robert Williams explore what’s driving luxury’s reset and what it means for brands.

They unpack why heritage, craftsmanship and logo power are no longer enough to justify high-ticket prices, and why emotional connection, creativity and exceptional retail experiences have become more important to today’s luxury shopper. They also discuss what brands need to do to rebuild excitement, restore value and win customers back.

Key Insights:

  • Emotional Matters More Than Heritage: Craftsmanship, heritage, and logo power are still important, but they are increasingly seen as table stakes rather than the ultimate selling point. After years of price increases, luxury shoppers are looking for brands that spark excitement, feel culturally relevant, or offer a more meaningful emotional connection. As Spencer explains, this shift is deeply tied to a broader consumer weariness: “Luxury fatigue has been a real problem. Shoppers are tired of price hikes. They’re tired of things costing more when ... the product hasn’t actually changed.”
  • Luxury Shouldn’t Feel Like a Chore: Luxury brands once built exclusivity through long queues, appointment-only access, and other barriers to entry. Today, shoppers expect premium service to feel effortless, requiring brands to balance accessibility for aspirational consumers with privacy for Very Important Clients (VICs). Some of the traditional mechanics of high-end retail are fast becoming liabilities; as Spencer observes, “Once you’ve peaked somebody’s interest, you’ve gotten your audience, you want to be able to serve them right away. Don’t make them go through hoops. … None of that is appealing anymore.”
  • Different Meanings in Different Markets: While emotional connection remains key across both major economic engines, how that plays out is heavily influenced by geography. In China, luxury consumption is closely tied to external self-expression and social recognition — even through understated “quiet luxury.” In the US, shoppers are more likely to prioritise self-reward and alignment with a brand’s values. “Historically there is a stereotype that conspicuous consumption and very obvious signifiers of luxury are what are gonna perform much better in a country like China, [but] you have a really strong success for certain brands there that have a much more discreet or understated approach,” says Williams.
  • AI and Resale are Impacting Perception: Channels once considered secondary have become central to how luxury shoppers research and execute purchases. Consumers are increasingly turning to resale platforms for the thrill of discovery rather than discounts, while artificial intelligence has become an important tool for researching complex hard luxury categories such as watches.
  • Navigating the Spectator Divide: Luxury brands are increasingly catering to two distinct groups: transactional store clients who buy products and digital audiences who engage with brands strictly through fashion content. The challenge is turning online attention into meaningful retail engagement without losing either audience. “There is a real issue in fashion right now with spectatorship and the idea that lots of people are just as happy to consume images of fashion than to actually go buy it,” says Williams. “We’re compulsive consumers of imagery in our culture today.”

Additional Resources:

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