Shein Outsells British Rival Asos as UK Revenue Hits $3.41 Billion
The ultra-fast fashion company said sales had been bolstered by marketing partnerships with music festivals, a pop-up shop on London’s Oxford Street and local Christmas gift events.

This was a compelling collection but lacked Julien Dossena’s trademark sense of gentle control, making the goings a bit haphazard, if still joyous and fresh.

He wanted his collection to be full-on glam: the platform boot, the sharp sci-fi shoulder, the sexual provocation. His clothes are always grand, though it doesn’t explain their animal magic.

The collection’s showpiece was surely a dramatic coat, beaded with the rear-vision rubric, "Things are closer than they appear." Abloh said that was his mantra.

Glenn Martens’ latest show felt particularly grown up and his renewed interest in the salon over the street, marked a welcome step forward.

Fading summer flowers struck the designer as the germ of a collection. How do you make such a cliché strange but still desirable? He got the emotional response he was after.

There was something restrained about this show, all the way to the last look, which felt like John Galliano was holding fire, poised, plotting his next assault on orthodoxy.

After a few years of overt decoration, sculpted, monochromatic lines look utterly fresh again. Lemaire, Rochas and Courrèges each proved the point in their own way.

Bruno Sialelli's light and airy debut had potential, but was too heavily marked with the stamp of his former employer.

The apocalypso was Marine Serre’s window-dressing for a collection that featured her signature repurposing of familiarity. It could have been a lot more energized by dystopia. But in the end, she insisted on optimism.

The exaggeration that underpins Anthony Vaccarello's work loaned the collection an uncompromising extravagance. And the whole finale – fluoro and black light – was a delirious distillation of pure form.

Maria Grazia Chiuri showed clothes that managed to bridge the gap between the house codes and one of the more arcane expressions of British street style, 1960s English teddy girls, drawing together strands of Dior's past, present and future.

The designer is determined to prove he is more than the arch Mediterranean sensualist. There was a chic polish to his look and a luxe hand to his fabrics that felt new for him.
The ultra-fast fashion company said sales had been bolstered by marketing partnerships with music festivals, a pop-up shop on London’s Oxford Street and local Christmas gift events.
Global environmental non-profit The Nature Conservancy has launched a new industry coalition to help apparel companies tackle microfibre pollution across their supply chains.
The policy bars ads from ByteDance, which remains in charge of key parts of TikTok, and extends to third-party advertisers running campaigns that link to TikTok.
The departure of Athleta’s CEO for Lululemon is a chance to ‘reimagine the brand’s path forward,’ Gap Inc. CEO Richard Dickson wrote in an internal memo viewed by Bloomberg.
The department store’s Leeds and Bristol outlets will be converted to the Flannels brand in a shake-up under Mike Ashley’s Frasers Group, which purchased the chain when it was put into administration in mid-August.
Jack Tobin is joining Diane von Furstenberg artistic director Henry Zankov’s namesake label as CEO and part owner.
Nearly a decade since the luxury groups first published a charter of model protections, they are introducing new measures to protect those working in the industry.
Maggie Gauger is joining Lululemon as chief product officer as new CEO Heidi O’Neill looks to revive sales.