Yui Chen Wins Hyerès Festival’s Top Fashion Prize
The Chinese designer won the grand prize for her airy, sculptural pieces at the 41st edition of the festival, which is undergoing a revamp under new leadership.

The conceptualism of past seasons was replaced by a simple, youthful optimism that still resonated with Nordic cool.

The designer's anger loaned the collection an apocalyptic edge, but he still found beauty — and humour — in the darkness.

The designer appeared to stake yet another claim to the title of fashion’s unlikeliest psychonaut, but it was hard not to expect more from the result.

Kim Jones said goodbye by delivering the alluring mix of luxurious substance and idiosyncratic inspiration that has defined his design ethos.

In collaboration with Duane Michals, Jonathan Anderson continued to insinuate something strange and wonderful into the brand's long heritage.

The designer can't help but be poetic and it makes him enduringly fascinating in a fashion-scape dominated by overt decoration and loud streetwear.

Nothing was really out of place, yet nothing really delivered a punchy blow. This collection felt lukewarm.

The designer delivered a collection that was as normal and charming as always.

Alexandre Mattiussi returned to his roots with an assured affirmation of progressive Parisian classicism.

This season, the designer embraced the world as it is with an acknowledgment and embrace of the dark side that gives his clothes their unique spine.

The Lemaire team recaptured a momentum and energy from his early menswear collections, embracing colour, volume, pattern and texture to an unusual degree.

Pierpaolo Piccioli aimed to make the extraordinary ordinary, but one might have expected more colour and energy from his exploration of freedom.
The Chinese designer won the grand prize for her airy, sculptural pieces at the 41st edition of the festival, which is undergoing a revamp under new leadership.
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