Yui Chen Wins Hyerès Festival’s Top Fashion Prize
The Chinese designer won the grand prize for her airy, sculptural pieces at the 41st edition of the festival, which is undergoing a revamp under new leadership.

As the masterful designs of Lucas Ossendrijver marched by, peeling off in layers of ‘night forest’ camouflage and British tailoring, all thought of Lanvin’s recent woes dissolved away.

With elements of an Asian drama, the collection's grown up but youthful spirit still spelled progress for the brand.

Véronique Nichanian made bolder moves this season, evolving the brand’s classic masculine chic with youthful elan.

The designer was driven by a pragmatic impulse, delivering a collection that was both accessible and conceptual.

Kris van Assche injects himself into a sweet spot somewhere between the 1940s and the 1980s, and the result was actually quite palatable.

Sarah Burton wanted less fantasy in this collection— in other words, the thing that puts the mack in McQueen — but the result still projected an alternate reality.

The designer’s exaltation of the banal is the result of a strong and stable consistency of vision from a master of the form.

Despite promises of revolution, Olivier Rousteing’s latest outing was business as usual.

Reí Kawakubo presented a synthesis of ideas that disturbed, rather than reassured.

John Galliano’s first menswear collection for the brand was a bizarrely memorable outerwear sensation from first to last.

Demna Gvasalia's extravagant outpourings have a fierce political core that distinguishes his approach from that of his acolytes.

Haider Ackermann is by nature a colorist and he proved it this season with a deft mix of formality and nonchalance.
The Chinese designer won the grand prize for her airy, sculptural pieces at the 41st edition of the festival, which is undergoing a revamp under new leadership.
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