Yui Chen Wins Hyerès Festival’s Top Fashion Prize
The Chinese designer won the grand prize for her airy, sculptural pieces at the 41st edition of the festival, which is undergoing a revamp under new leadership.

He was wrestling with his nihilistic mood, but what was most striking about his collection was how celebratory it looked.

The easiness, the flow of the collection suggested maximum impact with relatively minimum effort.

At Lemaire and Rochas, sophistication and elegance made for strong and soulful collections.

The collection was Dries at his very best, working the contrasts between high and low and marrying the functional beauty of workwear to the embroidered glories of something approaching couture.

In the midst of our deeply chaotic nowness, John Galliano nailed the moment.

Accompanying dancers embodied a delirious, entrancing freedom that distracted from the collection's gloomy severity.

Alessandro Michele thrives on a kind of timeless overload, and there is no other designer who embraces huge, difficult ideas with such enthusiasm.

The show opened and closed with a boy in a bathing suit — a basic blank slate — and the simplicity of that statement defined everything that came after.

The theme of the collection was support, and it underscored a sense of continuity in community and the immigrant family. But GmbH's claim to nowness lies along a broader spectrum.

The collection was testament to the designer's level-headedness sensitivity to the women who wear her clothes.

For all the bourgie black leather and Judy Blame detailing, the collection fell short of grand.

Mounting witty challenges to “good” taste has been Miuccia Prada’s default position throughout her career, and this Cookie Mueller-inspired collection was no exception.
The Chinese designer won the grand prize for her airy, sculptural pieces at the 41st edition of the festival, which is undergoing a revamp under new leadership.
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