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Fashion Week

Independent show reviews from fashion’s top critics.

Demna and Balenciaga: A Beautiful Thing Is Over

He’s not quitting, he’s just moving on. But Wednesday’s show was a moment to celebrate one of fashion’s most indelible image makers, writes Tim Blanks.


Couture’s Age of Experience, Experience of Age

Chanel at 110, Armani at 91, Me at Midnight: Tuesday in Paris was that kind of day, writes Tim Blanks.


Schiaparelli: A Swan Song That Fused Then and Now

Daniel Roseberry plans radical changes at the house, so he saw Monday’s couture show as a farewell to the old Schiap, making peace with the past to clear the decks for things to come.


At Celine, Michael Rider’s Salade Mixte

The designer’s debut for the house contained nods to the tenures of Hedi Slimane, Phoebe Philo and Michael Kors, as well as Rider’s own work for Polo Ralph Lauren, reports Angelo Flaccavento.


Is Marc Jacobs Still America’s Most Important Designer?

It’s hard to dispute the force of a dream so deeply personal, and so detailed in its madness, writes Lynn Yaeger.


At Paris Fashion Week, Bigger Was Rarely Better

Julian Klausner’s Dries Van Noten was the winner of a Paris men’s season where grand statements risked overpowering the fashion, reports Angelo Flaccavento.


In Paris, All Eyes on Jonathan Anderson’s Dior Debut

A phalanx of designers came to support — and, no doubt, carefully scrutinise — Jonathan’s Anderson first men’s show for Dior, writes Imran Amed.


Jonathan Anderson’s Grunge Aristocracy at Dior

Colliding artistry with calculated artlessness, the designer’s debut offered up a great appetiser for a more complex meal to come, writes Tim Blanks.


Territorial Pissings with Rick Owens

Fashion’s master of the Dark Arts presents dual challenges to orthodoxy with his new show for men and a spectacular retrospective


At Milan Fashion Week, Highs and Lows

Milan’s menswear showcase felt particularly frail this season, though there were a few standouts, reports Angelo Flaccavento.


Is Fashion Stuck in the Archives?

At Pitti Uomo, there was a sense of nostalgia that felt both backward looking and progressive, reports Angelo Flaccavento.


How Homme Plissé Fits Into Issey Miyake’s New Menswear Strategy

The Japanese brand’s fastest-growing line is ceding the Paris fashion week spotlight to IM Men and taking a ‘slow road’ with traveling events powered by a new ‘open studio’ strategy, starting with an Italy-inspired presentation at Pitti Uomo in Florence.