Joe Corré’s Light House Club Launches Pop-Up Spaces for Emerging Designers
Independent creatives can apply to utilise pop-up spaces at Light House to sell merchandise and meet with clientele.

Veronica Etro delivered a coherent, cohesive collection but it would be interesting to see the label test new grounds after 50 years.

Colour and drape united the disparate strands on display — tartan armies, African graphism — and suggested new paths of exploration for the house.

Stern and architectural, the collection resolutely shelved the house’s flirtation with eccentric futurism in favour of the stolidly bourgeois.

Miuccia Prada showed a collection founded on oppositions, extreme power and extreme femininity — where sweetness read as a disguise, a distraction and a dare.

The designer's winked at the Eighties of jumpsuits, leather skirts and roomy cape made for outstanding daywear.

The design team worked around a convention/rebellion theme, subverting the notion of power dressing usually associated with Max Mara, but it ultimately felt like a styling trick.

Alessandro Dell'Acqua's mix of ska, punk and ladylike glitz once again proved the strong signature the designer has developed at his line.

It was Alessandro Michele’s most confounding excursion yet, one that made connections between the distant past, troubled present and a future in which the designer insists on optimism.

The Austrian designer built his latest collection around Secessionist Koloman Moser — a match made in heaven — but the execution was clumsy at times.

In a collection of ladylike yet casual clothes inspired by Ali McGraw's character in the 1970 film Love Story, the sweeping coats stood out.

The Portuguese couple’s formula is one that makes sense: to bring the women who actually want to wear the clothes into the frame.

The heaviness in the designer's collection indicated that he is heading in a new direction.
Independent creatives can apply to utilise pop-up spaces at Light House to sell merchandise and meet with clientele.
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