Is Streetwear Still Cool?Luxury brands may have pivoted away from sneakers, puffer jackets and hoodies, but new labels like Corteiz and Free The Youth are making a case for street culture’s enduring relevance in fashion.


In the late ’80s and early ’90s, Stüssy emerged from the Southern California surf scene and grew to redefine casualwear. Shawn Stüssy, a surfer and surfboard shaper in Laguna Beach, California, began screening T-shirts and shorts to sell alongside the surfboards he made for friends and locals. His surname, written in a graffiti-influenced hand style, became the company logo.
What began as promotion for his surfboards quickly evolved into a clothing business. Shawn established small showrooms in California and New York and traveled to stores he respected to showcase his designs. As Stüssy gained recognition within the surf and skate world, the brand grew alongside major cultural shifts. Punk and rap challenged creative boundaries and introduced new approaches to music, fashion, and cultural expression.
Stüssy drew inspiration from underground subcultures and connected with a worldwide network of creative youth united by surf, skate, and music culture. Limited distribution fueled international desire, while those who found the brand felt part of something bigger.
As the brand expanded, its network of musicians, skaters, DJs, and artists grew across New York, London, Tokyo, Los Angeles, and beyond. This community became the “International Stüssy Tribe,” with chapters around the world. Through relevant, quality clothing offered in limited quantities through select stores at reasonable prices, Stüssy introduced a new approach to fashion that continues to influence the industry.

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Luxury brands may have pivoted away from sneakers, puffer jackets and hoodies, but new brands like Corteiz and Free The Youth are making the case for street culture’s enduring relevance in fashion.

French footballing giant Paris Saint-Germain opened a new flagship store in New York last week, signalling its intention to become the sport’s first true fashion brand.

The cult Californian streetwear label's decision to relaunch in London reflects its belief in community as much as its global retail strategy.

The London exhibit will explore the t-shirt’s role as a means of communication, and will feature a series of tees bearing graphics from the streetwear brand’s archive.

Luca Benini’s ability to imbue products with cultural meaning has made Slam Jam — a diverse enterprise that includes distribution for Stüssy, Carhartt WIP and Nike — a powerful force in streetwear.

Supreme doesn’t produce a women’s line, but a range of brands, from Stüssy to Kith, are tapping the evolving women’s streetwear market.

Growing organically from its surf-inspired roots, the independent label, which turns 35 this year, managed to parlay its heritage into a business that generated $50 million last year, even without the man whose name is on the label.