Givenchy
Clare Waight Keller Brings Her Spirit To Givenchy
While the designer’s debut Givenchy collection revealed a surprising compatibility, there was the strongest suspicion that she was holding a lot back.
Clare Waight Keller Brings Her Spirit To Givenchy
While the designer’s debut Givenchy collection revealed a surprising compatibility, there was the strongest suspicion that she was holding a lot back.
In the Age of Instagram, Murals Take on New Meaning
The art wall’s allure as a social media-worthy photo op has been embraced by retailers as a marketing opportunity. Does it convert into sales?
In the Age of Instagram, Murals Take on New Meaning
The art wall’s allure as a social media-worthy photo op has been embraced by retailers as a marketing opportunity. Does it convert into sales?
News Bites | First Look at Givenchy Childrenswear, Flowerbx Funding, The Webster x Lane Crawford
In today's News Bites, a first glimpse of Givenchy childrenswear, Flowerbx closes a £1.5 million seed-plus round and The Webster partners with Lane Crawford.
News Bites | First Look at Givenchy Childrenswear, Flowerbx Funding, The Webster x Lane Crawford
In today's News Bites, a first glimpse of Givenchy childrenswear, Flowerbx closes a £1.5 million seed-plus round and The Webster partners with Lane Crawford.
Banana Republic Hires CEO, Creative Director Leaves Mac Cosmetics
This week, Mark Breitbard has been appointed as chief executive officer of Banana Republic, and Mac Cosmetic's creative director, James Gager, has left his post to join parent company Estée Lauder.
Banana Republic Hires CEO, Creative Director Leaves Mac Cosmetics
This week, Mark Breitbard has been appointed as chief executive officer of Banana Republic, and Mac Cosmetic's creative director, James Gager, has left his post to join parent company Estée Lauder.
Givenchy Announces Clare Waight Keller as Artistic Director
Waight Keller succeeds Riccardo Tisci and is the second female designer to take the creative lead at an LVMH couture house.
Givenchy Announces Clare Waight Keller as Artistic Director
Waight Keller succeeds Riccardo Tisci and is the second female designer to take the creative lead at an LVMH couture house.
Power Moves | Management and Creative Shake-Up At Richemont, Tisci Exits Givenchy
This week, Richmont appointed Andrew Maag as chief executive officer of Dunhill, and Chloé confirmed the departure of creative director Clare Waight Keller.
Power Moves | Management and Creative Shake-Up At Richemont, Tisci Exits Givenchy
This week, Richmont appointed Andrew Maag as chief executive officer of Dunhill, and Chloé confirmed the departure of creative director Clare Waight Keller.
Riccardo Tisci Leaving Givenchy
Tisci is departing the LVMH-owned fashion house after 12 years at the creative helm, as rumours intensify that the designer will join Versace.
Riccardo Tisci Leaving Givenchy
Tisci is departing the LVMH-owned fashion house after 12 years at the creative helm, as rumours intensify that the designer will join Versace.
Tisci Moves on at Givenchy
Whatever zeitgeist he tapped into with his new Givenchy menswear collection it all spoke to Riccardo Tisci moving on — tiring of the Gothic darkness, looking for the positive light.
Tisci Moves on at Givenchy
Whatever zeitgeist he tapped into with his new Givenchy menswear collection it all spoke to Riccardo Tisci moving on — tiring of the Gothic darkness, looking for the positive light.
A Spiritual Path at Givenchy
Riccardo Tisci’s new emphasis on the spiritual rather than the carnal not only changed the shape of Givenchy but also the attitude.
A Spiritual Path at Givenchy
Riccardo Tisci’s new emphasis on the spiritual rather than the carnal not only changed the shape of Givenchy but also the attitude.
The Givenchy Man on the Move
The zipped-on bits and pieces, the pannier-like extensions to the silhouette, the pockets, the backpacks, everything amplifying the notion of a man on the move, made for a collection that felt tortured, layer-upon-layer overwrought.
The Givenchy Man on the Move
The zipped-on bits and pieces, the pannier-like extensions to the silhouette, the pockets, the backpacks, everything amplifying the notion of a man on the move, made for a collection that felt tortured, layer-upon-layer overwrought.