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Fashion Weeks

Where Are the Fashion Auteurs?

Simplicity was everywhere in Milan this season. More rare was a sense of personal fashion authorship, writes Angelo Flaccavento.

Where Are the Fashion Auteurs?

Simplicity was everywhere in Milan this season. More rare was a sense of personal fashion authorship, writes Angelo Flaccavento.


Milan Day Four: Thinking of a Master Plan

Bottega Veneta, Jil Sander and Versace make radically different journeys through space and time for Spring 2024, writes Tim Blanks.

Milan Day Four: Thinking of a Master Plan

Bottega Veneta, Jil Sander and Versace make radically different journeys through space and time for Spring 2024, writes Tim Blanks.


Can Lightning Strike Thrice at Gucci?

New designer Sabato De Sarno is thrown in at the deep end as the brand aims for a turnaround, writes Tim Blanks.

Can Lightning Strike Thrice at Gucci?

New designer Sabato De Sarno is thrown in at the deep end as the brand aims for a turnaround, writes Tim Blanks.


The Miuccia-ness of Prada, the Gucci-ness of Tom Ford

Brand DNA is marketing speak until it isn’t, as the latest Prada and Tom Ford collections proved.

The Miuccia-ness of Prada, the Gucci-ness of Tom Ford

Brand DNA is marketing speak until it isn’t, as the latest Prada and Tom Ford collections proved.


Milan, Day One: The Elegy and the Ecstasy

A solemn Fendi and a rave-y Diesel were both, in their own ways, studies in extremes, writes Tim Blanks.

Milan, Day One: The Elegy and the Ecstasy

A solemn Fendi and a rave-y Diesel were both, in their own ways, studies in extremes, writes Tim Blanks.


At London Fashion Week, Mitfords and a Megabrand

Susie Lau reports from London, from Erdem Moralıoğlu’s deft mining of Chatsworth to Daniel Lee’s sophomore outing for Burberry.

At London Fashion Week, Mitfords and a Megabrand

Susie Lau reports from London, from Erdem Moralıoğlu’s deft mining of Chatsworth to Daniel Lee’s sophomore outing for Burberry.


In London, Plasticine and Messy Dressing

Susie Lau reports from the first half of London Fashion Week: JW Anderson, Roksanda, Molly Goddard and more.

In London, Plasticine and Messy Dressing

Susie Lau reports from the first half of London Fashion Week: JW Anderson, Roksanda, Molly Goddard and more.


In New York, Sea Creatures and the Seventies

The second half of New York Fashion Week suggested the season wasn’t just about 90s influences but gossamer fabrics, trawling nets, big jackets over tiny skirts and when in doubt lace, lace, lace, reports Lynn Yaeger.

In New York, Sea Creatures and the Seventies

The second half of New York Fashion Week suggested the season wasn’t just about 90s influences but gossamer fabrics, trawling nets, big jackets over tiny skirts and when in doubt lace, lace, lace, reports Lynn Yaeger.


At New York Fashion Week, the Revolution That Wasn’t

From Collina Strada’s neo-Victorianism to Khaite’s icy elegance, Lynn Yaeger reports from the New York shows.

At New York Fashion Week, the Revolution That Wasn’t

From Collina Strada’s neo-Victorianism to Khaite’s icy elegance, Lynn Yaeger reports from the New York shows.


At Helmut Lang and Coach, a Debut and a Decade Later

On the first two days of New York Fashion Week, designers Peter Do and Stuart Vevers showcased their takes on storied brands.

At Helmut Lang and Coach, a Debut and a Decade Later

On the first two days of New York Fashion Week, designers Peter Do and Stuart Vevers showcased their takes on storied brands.


At Couture, a Château, a Diamond Necklace and a Bouquet of Red Roses

Is it a love story, a murder mystery, or the last day of the couture shows? asks Tim Blanks.

At Couture, a Château, a Diamond Necklace and a Bouquet of Red Roses

Is it a love story, a murder mystery, or the last day of the couture shows? asks Tim Blanks.


Paris Couture Week: All or Nothing

Couture Week was a polarised affair, opposing restraint and excess, technique and showmanship, real clothes and wild storytelling, with little in between, writes Angelo Flaccavento.

Paris Couture Week: All or Nothing

Couture Week was a polarised affair, opposing restraint and excess, technique and showmanship, real clothes and wild storytelling, with little in between, writes Angelo Flaccavento.